Charlotte Mew

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Standard Name: Mew, Charlotte
Birth Name: Charlotte Mary Mew
Nickname: Lotti
Pseudonym: M.
Charlotte Mew is best known and regarded as an early twentieth century poet, though she also published a few short stories and essays. Her poems, often dramatic monologues, are haunted by unrequited love, the renunciation of passion, and death. Subtle experiment with form and metre is discernible in their unusually long lines, the frequent use of monosyllables, mixed metres, and repeated, irregular rhymes. CM 's work was admired by several poets of her day, notably Thomas Hardy , with whom she shares an affinity for harsh rural settings and socially isolated characters. Despite the enthusiasm of both initial and recent critics, her poetic achievements remain under-recognised.

Connections

Connections Sort ascending Author name Excerpt
Theme or Topic Treated in Text Amabel Williams-Ellis
Williams-Ellis divided her text into five sections according to audience, respectively written For All, For Philosophers, For Missionaries, For Critics, and For Readers. The last section consists of short studies...
Theme or Topic Treated in Text May Sinclair
According to biographer Suzanne Raitt , MS sometimes used aspects of her own experience in her stories. The Pin-Prick, 1915, about a young woman so sensitive that she kills herself in response to a...
Textual Production Penelope Fitzgerald
PF published her last biography, Charlotte Mew and Her Friends.
Whitaker’s Books in Print. J. Whitaker and Sons.
(1988)
Harvey-Wood, Harriet. “Penelope Fitzgerald”. The Guardian, p. 22.
22
Textual Production Judith Kazantzis
This remarkable anthology brings to a wider audience poems by many otherwise unknown writers, as well as by, for instance, Vera Brittain , Edith Sitwell , Nancy Cunard , Cicely Hamilton , Rose Macaulay ,...
Textual Production Michelene Wandor
Other radio plays that MW has written about women writers include An Uncommon Love, based on Hannah Cullwick 's relationship with Arthur Munby , A Consoling Blue, about Jean Rhys 's writing of...
Textual Production Frances Cornford
Spring Morning proved to be immensely popular. The Poetry Bookshop reprinted it in 1918 and issued a new edition in 1923.
Woolmer, J. Howard, and Penelope Fitzgerald. The Poetry Bookshop, 1912-1935: A Bibliography. Woolmer/Brotherson.
22
Each printing had a press run of one thousand, making a total of...
Textual Features Carol Ann Duffy
Many poems here feature women answering back to canonical male voices: Liz Lochhead to Donne , Jenny Joseph to W. S. Gilbert , U. A. Fanthorpe to Walt Whitman , Wendy Cope to A. E. Housman
Textual Features Lady Margaret Sackville
In her title-poem LMS asks, Dare I believe / That from so numb, So parched a source / New streams may come?
Sackville, Lady Margaret. Return to Song, and Other Poems. Williams and Norgate.
5
She writes that the rhythmic form of long, sweeping lines that she...
Textual Features H. D.
HD's reviews of poetry volumes for The Egoist show some of her literary principles already formed: the artist's responsibility to society as well as to art, her belief that art can stand against the selfishness...
Textual Features Viola Meynell
This includes letters from Charlotte Mew , Henry James , and Thomas James Cobden-Sanderson .
Textual Features Catharine Amy Dawson Scott
The Headland was strongly influenced by the writing of Dorothy Richardson , whom Dawson Scott had met in Cornwall during the first world war. Its story takes three chapters for three cataclysmic days. The protagonist...
Textual Features May Sinclair
Like May Cannan (different though Cannan's idiom is), MS continued to express her regret over her exclusion from the via dolorosa of the war: like an unloved hand laid on a beating heart / Our...
Textual Features May Sinclair
Defending H.D. against Harold Monro 's criticism, MS insisted that the Imagist style was unique for sheer emotion, for clean-cut and perfect beauty.
Raitt, Suzanne. May Sinclair: A Modern Victorian. Clarendon Press.
196
Nevertheless, she hedged her bets by telling Charlotte Mew that her...
Textual Features Fleur Adcock
Again her introduction is interesting and trenchant. She observes that the early twentieth century already feels remote. Her selection runs from Charlotte Mew (born in 1869) to a clutch of women a little over thirty:...
Textual Features Catherine Carswell
In this chapter CC also challenges the spite and unfairness of comments made by T. E. Lawrence on Charlotte Mew , and through her on [a]ll the women who ever wrote.
Carswell, Catherine. Lying Awake: An Unfinished Autobiography and Other Posthumous Papers. Editor Carswell, John, Secker and Warburg.
116

Timeline

1 January 1913: Harold Monro opened the Poetry Bookshop at...

Writing climate item

1 January 1913

Harold Monro opened the Poetry Bookshop at 35 Devonshire Street (now Boswell Street) in Bloomsbury.

Texts

Monro, Alida, and Charlotte Mew. “Charlotte Mew—A Memoir”. Collected Poems of Charlotte Mew, Gerald Duckworth, 1953, p. vii - xx.
Mew, Charlotte. Collected Poems and Prose. Editor Warner, Val, Carcanet and Virago, 1981.
Mew, Charlotte, and Alida Monro. Collected Poems of Charlotte Mew. Gerald Duckworth, 1953.
Mew, Charlotte. “Introduction”. Collected Poems and Prose, edited by Val Warner, Carcanet and Virago, 1981, p. ix - xxii.
Monro, Alida, and Charlotte Mew. “Introductory Note”. The Rambling Sailor, Poetry Bookshop, 1929, pp. 7-8.
Mew, Charlotte. The Farmer’s Bride. Poetry Bookshop, 1916.
Mew, Charlotte, and Alida Monro. The Rambling Sailor. Poetry Bookshop, 1929.