Bury, Elizabeth. An Account of the Life and Death of Mrs Elizabeth Bury. Editor Bury, Samuel, Printed by and for J. Penn and sold by J. Sprint.
189
Connections | Author name Sort descending | Excerpt |
---|---|---|
Literary responses | Enid Bagnold | The play was a success with London audiences and critics. In The Observer, Kenneth Tynan
claimed that the West End Theatre justified its existence with this production of the finest artificial comedy to have... |
Intertextuality and Influence | Patricia Beer | This poem's subject is the love-affair of Semele with Jove. Semele wished to see Jove in his true, not assumed form; when he complied and appeared as godhead she was burned to death in his... |
Intertextuality and Influence | Eavan Boland | It does include a fragment from verse play, Femininity and Freedom. It concludes with two poems about the peace process in Northern Ireland. The last, Irish Poetry, written for Michael Hartnett
... |
Intertextuality and Influence | Elizabeth Bury | Here she concludes by quoting, unascribed, eight lines of poetry by Congreve
beginning When Lesbia first I saw, so heavenly Fair. Bury, Elizabeth. An Account of the Life and Death of Mrs Elizabeth Bury. Editor Bury, Samuel, Printed by and for J. Penn and sold by J. Sprint. 189 |
Textual Features | Susanna Centlivre | The villain here is the heroine's father, Sir Philip Moneylove. His daughter runs away from home to avoid a forced marriage, calls herself Miranda, and in a gender-reversed echo of Congreve
's The Way of... |
Literary responses | Ivy Compton-Burnett | This novel made the best-seller list the month after publication; but at the end of the year it received the Bookseller's Glass Slipper award for books whose sales had not reflected their quality. Reviewers... |
Textual Production | Hannah Cowley | HC
's comedy A School for Greybeards; or, The Mourning Bride opened at Covent Garden
. Its subtitle, confusingly, is the same as the title of William Congreve
's only tragedy, The Mourning Bride, 1697. The London Stage 1660-1800. Southern Illinois University Press. 5: 934 |
Intertextuality and Influence | B. M. Croker | |
Intertextuality and Influence | Mary Davys | MD
makes skilful use of letters to project character, political issues, and gender interaction. Her use of significant dates (All Saints' Day, November the fifth) links her with the prophetic tradition of Lady Eleanor Douglas |
Textual Features | Judith Drake | Its boldness in argument—seeking to lift women to an Equallity [sic] Drake, Judith. An Essay in Defence of the Female Sex. A. Roper, E. Wilkinson, and R. Clavel, http://U of A, Special Collections. A2 |
Intertextuality and Influence | Maria Edgeworth | The Double Disguise, set in an inn in England (the Pig and Castle, on the road from Ireland via Liverpool to London), features a travelling Irish family. The father (Richard Lovell Edgeworth
's... |
Literary responses | Frances, Lady Norton | The reception of this volume, dictated by Gethin's position as her father's only child and heir, and as an exemplary pattern of female excellence, rather than by consideration of the literary quality of her work... |
Occupation | Sarah Gardner | Sarah Cheney (later SG
) made her first appearance on the London stage, before her marriage, as Congreve
's Miss Prue in Love for Love: A Comedy at Drury Lane
. Highfill, Philip H. et al. A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers and Other Stage Personnel in London, 1660-1800. Southern Illinois University Press. 5: 463 |
Textual Production | Susannah Gunning | This novel was never claimed by either Minifie sister, and has always been attributed to Susannah
. Complete misascription is a distinct possibility, since while the title is so like that of the sisters' second... |
Dedications | Eliza Haywood | Spedding believes that the original numbers came out more regularly than has sometimes been assumed by commentators. Collected in volume form after two editions in these original numbers, The Female Spectator had nine editions or... |