Butler, Lady Eleanor et al. “Foreword and Editorial Materials”. The Hamwood Papers of the Ladies of Llangollen and Caroline Hamilton, edited by Eva Mary Bell, Macmillan, p. vii - viii; various pages.
vii
Connections | Author name Sort descending | Excerpt |
---|---|---|
Theme or Topic Treated in Text | Clara Balfour | In her general overview of the history of English literature during these centuries, she focuses especially on English poets because as she says, great poets not only give form, power and beauty to a nation's... |
Intertextuality and Influence | Clementina Black | Meanwhile Orlando establishes a relationship of friendship and equality with Viola Cash, a young woman who embodies intelligence, practicality, and activity as well as beauty. She supports improved education for women, and is not afraid... |
Education | Marjorie Bowen | |
Textual Production | Marjorie Bowen | MB
recalls being influenced at an early age by her enjoyment of Tennyson
's Idylls of the King, Wilde
's Picture of Dorian Gray, the novels of Sir Walter Scott
, and Richardson |
Textual Production | Mary Elizabeth Braddon | MEB
's first publications included verse in The Beverley Recorder. A patron, John Gilby
, volunteered to underwrite the production and publication of a volume of her poetry, stipulating that the principal piece should... |
Textual Features | Mary Ann Browne | Her title poem is rich and dignified, written in Spenser
ian stanzas. The later Ocean is a poem in similar style. Many other pieces are social and sentimental, with titles like Tears, Loves... |
Intertextuality and Influence | Elizabeth Barrett Browning | Shorter pieces here include many sonnets, the most striking and complex of which are perhaps the two dedicated to George Sand
that explore the apparent contradictions of gender and genius. To George Sand. A Desire... |
Textual Production | Lady Eleanor Butler | Sarah Ponsonby bequeathed the journals to Caroline Hamilton
, and Harriet Pigott
therefore supposed that they were written by Ponsonby
. Butler, Lady Eleanor et al. “Foreword and Editorial Materials”. The Hamwood Papers of the Ladies of Llangollen and Caroline Hamilton, edited by Eva Mary Bell, Macmillan, p. vii - viii; various pages. vii |
Intertextuality and Influence | Jessie Ellen Cadell | JEC
prefaced her poem with a quatrain of her own (the only original poetry by her which Richard Garnett knew of). Addressing Una (presumably as a character standing, as does Spenser
's personage of that... |
Occupation | Lady Anne Clifford | |
Occupation | Lady Anne Clifford | |
Intertextuality and Influence | An Collins | AC
writes in many different metres (some unusual, a few somewhat uncertainly used). In a prose address to the Christian Reader Collins, An. Divine Songs and Meditacions. Editor Stewart, Stanley N., William Andrews Clark Memorial Library. 1 Collins, An. Divine Songs and Meditacions. Editor Stewart, Stanley N., William Andrews Clark Memorial Library. 2 |
Intertextuality and Influence | Alicia D'Anvers | ADA
's immortal Sing-Song / How all th'old Dons were at it Ding-dong D’Anvers, Alicia. The Oxford-Act. Randal Taylor. 9 |
Intertextuality and Influence | Selina Davenport | The title-page quotes Milton
on the false dissembler (Satan). The story opens with Edmund Dudley, the lover and the poet, confiding to a married friend, Leopold Courtenay, his love for Althea, to whom he has... |
Intertextuality and Influence | Isak Dinesen | She divided her life into five stages, supplying a motto for each stage, in Latin, French, and English. The English motto, for the final stage, came from Spenser
's The Faerie Queene: Be bold... |