Athenæum. J. Lection.
1739 (1861): 259
Connections | Author name Sort descending | Excerpt |
---|---|---|
Literary responses | Mary Elizabeth Braddon | Robert Buchanan
in the Athenæum speculated that the author was a woman, and called the poem a rhythmical paraphrase of the prose popularized by the Times Correspondents. Athenæum. J. Lection. 1739 (1861): 259 |
Textual Production | Rhoda Broughton | RB
earned £1,000 for the volume rights alone, the highest she had yet received for a novel. Robert Buchanan
's theatrical adaptation entitled Sweet Nancy had an only moderately successful run on stage in 1890... |
Intertextuality and Influence | Rhoda Broughton | RB
was convinced that Nancy would be a failure (and threatened in that case to stop writing), as she told Richard Bentley
in a letter bemoaning a negative review in Pall Mall. Sadleir, Michael. Things Past. Constable. 106 |
Literary responses | Robert Browning | The praise in 1869 was resounding. Robert Buchanan
in the Athenæum hailed it as beyond all parallel the supremest poetical achievement of our time, and the London Quarterly was convinced that Pompilia would rank among... |
Publishing | B. M. Croker | In 1894 stories by BMC
appeared in the Christmas numbers of London Society (along with others by John Strange Winter
and Alice Perrin
) and the Graphic (along with others by Grant Allen
and Robert Buchanan |
Textual Production | Sarah Grand | It took her three years to find a publisher willing to take on its controversial subject-matter. Grand, Sarah. Sex, Social Purity and Sarah Grand: Volume 1. Editor Heilmann, Ann, Routledge. 245 |
Family and Intimate relationships | Harriett Jay | HJ
lost the last remaining member of her adopted family when her co-writer Robert Buchanan
died from the lingering effect of a stroke he had suffered eight months before. Jay, Harriett. Robert Buchanan. AMS. 312 |
Textual Production | Harriett Jay | In 1896 (a busy year for Jay), she and Buchanan
co-wrote a third play, The New Don Quixote. Regan, Patrick. “Harriett Jay”. Robert Williams Buchanan (1841-1901). |
Textual Production | Harriett Jay | Robert Buchanan
was commissioned to write a melodrama (later named Alone in London) for the managers of Union Square Theatre
in New York. He and HJ
co-wrote the play while on board a... |
Textual Production | Harriett Jay | A prompt-book for a New York performance of 1907 survives at the New York Public Library
. OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Textual Production | Harriett Jay | HJ
co-wrote a second play with Robert Buchanan
: Fascination, this time a three-act comedy. She also played the title character in its opening at the Novelty Theatre
. “The Novelty Theatre”. Times, No. 32198, p. 4. 32198 (8 October 1887): 4 |
Performance of text | Harriett Jay | Robert Buchanan
and HJ
's co-written, three-act comedy The Strange Adventures of Miss Brown opened at the Vaudeville Theatre
in London. Jay used a pseudonym, Charles Marlowe, for this and all later co-written... |
Textual Production | Harriett Jay | The Strange Adventures of Miss Brown by Harriett Jay
and Robert Williams Buchanan
provided the libretto for the collaborative Tulip Time: A Comedy with Music, which opened nearly three years after Jay's death. OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Performance of text | Harriett Jay | Charles Marlowe's (HJ
's) and Robert Buchanan
's co-written comedy Shopwalker opened at the Vaudeville Theatre
in London (where Jay had often acted), and it did well. The title is sometimes given as... |
Performance of text | Harriett Jay | Another three-act comedy, The Wanderer from Venus; or Twenty-four Hours with an Angel, co-written and produced by HJ
(as Charles Marlowe) and Robert Buchanan
, opened at The Grand Theatre
in Croydon. Regan, Patrick. “Theatre Reviews”. Robert Williams Buchanan (1841-1901). |