Theatre Royal, Haymarket

Connections

Connections Author name Excerpt
Performance of text Enid Bagnold
Following its success on Broadway, EB 's play The Chalk Garden, began its impressive twenty-three-month run at the Theatre Royal, Haymarket , directed by John Gielgud and starring Peggy Ashcroft and Edith Evans .
Billington, Michael. Peggy Ashcroft, 1907-1991. Mandarin.
160-2
Sebba, Anne. Enid Bagnold: The Authorized Biography. Weidenfeld and Nicolson.
192
Textual Production Sir J. M. Barrie
SJMB 's fantasy play Mary Rose opened at the Haymarket Theatre in London. In it a mother vanishes when her son is young and returns mysteriously unchanged to seek him after he has grown up.
Cox, Michael, editor. The Oxford Chronology of English Literature. Oxford University Press.
Parker, Peter, editor. A Reader’s Guide to Twentieth-Century Writers. Oxford University Press.
55
Intertextuality and Influence Mary Charlton
The Oxford Dictionary of National Biography notes that Thomas Dibdin used a translation from La Fontaine by MC as the basis of a comedy, Guilty or Not Guilty, which opened at the Haymarket in...
Occupation Mary Cowden Clarke
A production of The Merry Wives of Windsor by Charles Dickens 's Amateur Company opened at the Haymarket Theatre , with MCC as Mistress Quickly, wearing Elizabethan costume she had made herself.
Clarke, Mary Cowden. My Long Life. Dodd, Mead.
136-7
Performance of text Catherine Crowe
A later romantic drama in five acts by CC , The Cruel Kindness (dating from 1853), was performed at the Haymarket Theatre in London.
Shattock, Joanne. The Oxford Guide to British Women Writers. Oxford University Press.
Other works by her were adapted for the stage, including...
Friends, Associates Evelyn Glover
Though not known to the eminent residents of the nearby square, EG enjoyed a cordial acquaintance with many of their cooks and butlers, based on a shared love of cats. She mentions some theatrical friends:...
Occupation Elizabeth Sarah Gooch
ESG , as Mrs William Gooch, acted during the off-season at the Haymarket Theatre in London.
Highfill, Philip H. et al. A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers and Other Stage Personnel in London, 1660-1800. Southern Illinois University Press.
6: 249
Performance of text Catherine Gore
CG 's first comedy, The School for Coquettes, opened a long run (thirty-seven performances) at the recently opened Haymarket Theatre .
Gore, Catherine. “Introduction”. Gore on Stage: The Plays of Catherine Gore, edited by John Franceschina, Garland, pp. 1-34.
3
Athenæum. J. Lection.
194 (1831): 460
Performance of text Catherine Gore
CG 's new play, The Queen's Champion, opened as an afterpiece at the Theatre Royal, Haymarket : it was translated from a French vaudeville entertainment.
Gore, Catherine. “Introduction”. Gore on Stage: The Plays of Catherine Gore, edited by John Franceschina, Garland, pp. 1-34.
7
Gore, Catherine. Gore on Stage: The Plays of Catherine Gore. Editor Franceschina, John, Garland.
158
Performance of text Catherine Gore
CG 's The Maid of Croissey; or, Theresa's Vow, a village melodrama adapted from French, opened at the Haymarket Theatre .
Gore, Catherine. “Introduction”. Gore on Stage: The Plays of Catherine Gore, edited by John Franceschina, Garland, pp. 1-34.
13-14
Performance of text Catherine Gore
CG 's prize-winning final play, Quid Pro Quo; or, The Day of Dupes, opened at the Haymarket Theatre .
Donkin, Ellen. “Mrs. Gore gives tit for tat”. Women and Playwriting in Nineteenth-Century Britain, edited by Tracy C. Davis and Ellen Donkin, Cambridge University Press, pp. 54-74.
57
Gore, Catherine. “Introduction”. Gore on Stage: The Plays of Catherine Gore, edited by John Franceschina, Garland, pp. 1-34.
26
Textual Production Catherine Gore
This play was written in a bid to win a prize of £500 in a contest, sponsored by Benjamin Webster of the Haymarket , for the best modern comedy illustrative of British manners.
Donkin, Ellen. “Mrs. Gore gives tit for tat”. Women and Playwriting in Nineteenth-Century Britain, edited by Tracy C. Davis and Ellen Donkin, Cambridge University Press, pp. 54-74.
55
Publishing Isabel Hill
In the same year as My Own Twin Brother, 1834, IH 's West Country Wooing, a monodrama which she composed over the course of two summer evenings, was staged in the first of...
Performance of text Bryony Lavery
In spring 2018 Frozen was revived at the Theatre Royal, Haymarket .
Billington, Michael. “A Criminal Coldness”. Country Life, pp. 94-5.
94
Performance of text George Paston
The play was performed alongside Cicely Hamilton 's Pageant of Great Women as part of a fundraising event organised by Inez Bensusan on behalf of the Actresses' Franchise League and the Women Writers' Suffrage League

Timeline

9 April 1705: Vanbrugh's new Haymarket Theatre (at this...

Building item

9 April 1705

Vanbrugh 's new Haymarket Theatre (at this date also known as both the Queen's Theatre and as the Opera House) opened with an anonymous Italian opera.

29 December 1720: A new playhouse, the New Theatre in the Haymarket,...

Building item

29 December 1720

A new playhouse, the New Theatre in the Haymarket , opened with a company of French comedians providing the entertainment.

25 February 1729: The Haymarket Theatre, hitherto occupied...

Building item

25 February 1729

The Haymarket Theatre , hitherto occupied by temporary foreign troupes, opened as a mainstream theatre.

23 September 1782: Covent Garden Theatre re-opened after a three-month...

Building item

23 September 1782

Covent Garden Theatre re-opened after a three-month reconstruction, enlargement, and renovation.

4 July 1821: The second Haymarket Theatre (that is not...

Building item

4 July 1821

The second Haymarket Theatre (that is not the New Theatre, Haymarket, or the King's Theatre, now Her Majesty's, but the present Theatre Royal) was opened, somewhat to the south of the former New Theatre.

2 September 1829: Fatality, a play written by Caroline Boaden,...

Women writers item

2 September 1829

Fatality, a play written by Caroline Boaden , premiered at the Theatre Royal .

12 November 1833: Julia Glover caused a sensation when she...

Building item

12 November 1833

Julia Glover caused a sensation when she appeared as Falstaff in The Merry Wives of Windsor at the Haymarket .

June 1837: Elizabeth Planché's drama The Ransom opened...

Women writers item

June 1837

Elizabeth Planché 's dramaThe Ransom opened at the Haymarket .

November 1842: Elizabeth Planché's comedy The Welsh Girl...

Women writers item

November 1842

Elizabeth Planché 's comedy The Welsh Girl premiered at the Haymarket .

June 1843: Ben Webster, manager of the Haymarket, announced...

Writing climate item

June 1843

Ben Webster , manager of the Haymarket , announced a play-writing contest.

August 1843: Lady Emmeline Wortley's play Moonshine was...

Women writers item

August 1843

Lady Emmeline Wortley 's play Moonshine was condemned by the critics when it opened at the Haymarket .

1855: The Haymarket Theatre became known as the...

Building item

1855

The Haymarket Theatre became known as the Theatre Royal, Haymarket.

29 July 1862: Madge Robertson made her London stage debut...

Building item

29 July 1862

Madge Robertson made her London stage debut at the Haymarket Theatre , aged fourteen.

2 October 1862: Dion Boucicault wrote to The Times pointing...

Writing climate item

2 October 1862

Dion Boucicault wrote to The Times pointing out the widely varying rents for West End theatres.

By 24 December 1881: Lillie Langtry became the first English society...

Building item

By 24 December 1881

Lillie Langtry became the first English society woman to appear professionally on the stage when she played Kate Hardcastle in Goldsmith 's She Stoops to Conquer at the Haymarket Theatre , London.

Texts

No bibliographical results available.