Martin, Richard. Ink in Her Blood: The Life and Crime Fiction of Margery Allingham. UMI Research Press.
133
Connections | Author name Sort descending | Excerpt |
---|---|---|
Publishing | Margery Allingham | She based it on a family story of her forebears: an early-nineteenth-century John Allingham who had a second family by Charlotte Duncan, in addition to his legitimate family. Martin, Richard. Ink in Her Blood: The Life and Crime Fiction of Margery Allingham. UMI Research Press. 133 |
Textual Production | Margery Allingham | |
Publishing | Margery Allingham | |
Textual Production | Margery Allingham | She wrote this while still a student. Its germ lay in sessions of tumbler-turning at the family's Essex holiday home in summer 1921. In this form of spiritualism the assembled company rest one finger each... |
Intertextuality and Influence | Margery Allingham | The idea for this character shift came from her US publishers, Doubleday Doran
. But the book was more fundamentally and crucially influenced by the collaboration of MA
's husband Pip Carter
. She always... |
Textual Production | Daisy Ashford | Soon after the success of The Young Visiters, some of DA
's other juvenile stories were published in London by Chatto and Windus
and in New York by George H. Doran Company
in Daisy... |
Publishing | Ruby M. Ayres | The Uphill Road does not seem to have appeared in England. One might suppose that Ayres chose this manner of publication because of her almost incredible productivity in this year. She continued to issue occasional... |
Publishing | Enid Bagnold | The seeds for this novel were planted ten years earlier, when MGM
approached Bagnold to write a film script with a part for a mature actress. A case of writer's block made her turn down... |
Reception | Enid Bagnold | The book received mixed responses. The Times accused EB
of snobbery and sentimentality and Time magazine offended her by comparing this novel unfavourably with National Velvet: Not all the wealthy fading beauties in... |
Textual Production | Enid Bagnold | Lottie Dundass and Poor Judas were published by Doubleday
in a single volume simply entitled Theatre, 1951. |
Publishing | Natalie Clifford Barney | NCB
published a collection of poems in French and English, Poems & poèmes, with Émile-Paul Frères
in Paris and George H. Doran
in New York. Barney, Natalie Clifford. Poems & poèmes. Émile-Paul Frères and George H. Doran. title-page |
Textual Production | Phyllis Bentley | Near the end of her career, PB
wrote five historical and adventure novels intended for a young adult audience. The first, The Adventures of Tom Leigh, appeared in 1964, followed in March 1967 by... |
Publishing | Phyllis Bottome | The book was first published by George H. Doran
in New York and two years later by Collins
in London. “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 197 OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Textual Production | Clemence Dane | CD
's Fate Cries Out: Nine Tales was published in London by Heinemann
and in Garden City, by Doubleday, Doran
. Weintraub, Stanley, editor. Dictionary of Literary Biography 10. Gale Research. 10: 134 Book Review Digest. H. W. Wilson. (1935): 243 |
Textual Production | Clemence Dane | CD
's study appeared first in the US, published by Doubleday, Doran
; the UK edition, published by Heinemann
, did not appear until 1930. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
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