Hirshfield, Claire. “The Woman’s Theatre in England: 1913-1918”. Theatre History Studies, Vol.
15
, pp. 123-37. 135
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Occupation | Inez Bensusan | After the war, the Actresses' Franchise League
lost its momentum and many of its members turned their attention to the British Drama League
and the founding of a National Theatre. Hirshfield, Claire. “The Woman’s Theatre in England: 1913-1918”. Theatre History Studies, Vol. 15 , pp. 123-37. 135 |
Occupation | Edith Craig | During the 1920s and 1930s, EC
became increasingly involved in amateur dramatics, and became an expert and a spokesperson for amateur theatre. Cockin, Katharine. Edith Craig (1869-1947): Dramatic Lives. Cassell. 162, 170, 175 |
Occupation | Kate Parry Frye | After a few casual jobs early in the first world war, KPF
worked only sporadically as an actress. She often travelled around the country with John Robert Collins
for his work first as an actor... |
Occupation | Constance Smedley | The Cotswold Players
long survived their founders. Still active in the twenty-first century, they re-opened in a rebuilt auditorium in 2002. Apparently their first performance (where the local paper reported general and free prompting)... |
Intertextuality and Influence | Constance Smedley | Smedley says that Geoffrey Whitworth
first conceived of the project which became his influential British Drama League
after a performance of her Pierrot's Welcome enabled him to see the possibility of drama that would be... |
Family and Intimate relationships | Dorothy Brett | Lord Esher was succeeded by his elder son, Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
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