Nicoll, Allardyce. English Drama, 1900-1930. Cambridge University Press.
604
Her Majesty's Theatre, Haymarket
Connections
| Connections Sort ascending | Author name | Excerpt |
|---|---|---|
| Textual Production | Harriette Wilson | In about 1822 HW
composed a work she called Sketches in the Round Room at the Opera House (a kind of dry run for her Memoirs), which depicts her former lovers under disguised names:... |
| Performance of text | Elizabeth De la Pasture | Elizabeth De la Pasture
's one-act play The Unlucky Family (based on her children's book of the same title) was first performed in a matinée at His Majesty's Theatre
, London. |
| Performance of text | Catharine Trotter | CT
's final tragedy, The Revolution of Sweden (again in verse), opened at the Haymarket
, having been announced but deferred four days earlier. It ran until the 16th. The London Stage 1660-1800. Southern Illinois University Press. 2: 117 Kelley, Anne. Catharine Trotter: An Early Modern Writer in the Vanguard of Feminism. Ashgate. 258 |
| Performance of text | Mary Augusta Ward | It ran for only a little over two weeks. A second play by MAW
, Agatha, was produced at His Majesty's Theatre
around March 1905; it also failed. Sutherland, John. Mrs. Humphry Ward. Clarendon Press. 414-15 |
| Performance of text | Delarivier Manley | DM
's tragedy Almyna; or, The Arabian Vow was produced at the Haymarket Theatre
. Mann, David D. et al. Women Playwrights in England, Ireland and Scotland, 1660-1823. Indiana University Press. 393 |
| Performance of text | Emmuska, Baroness Orczy | Having begun with The Scarlet Pimpernel as both play and novel, EBO
wrote a number of further plays, including the eighteenth-century highwayman story Beau Brocade (produced at the Queen's Theatre
under Frank Curzon
, Emmuska, Baroness Orczy,. Links in the Chain of Life. Hutchinson. 109 |
| Performance of text | George Paston | This popular play saw two West End revivals the following year. First it had thirty-nine performances at His Majesty's Theatre
alongside Bernard Shaw
's The Admirable Bashville, and this was followed by ninety-eight performances... |
| Performance of text | Hannah Brand | She had apparently submitted plays to the London theatres before this, but had them rejected. This was the only one of her works to be staged. It was successful at Norwich, going on to two... |
| Performance of text | George Paston | The play was performed alongside Cicely Hamilton
's Pageant of Great Women as part of a fundraising event organised by Inez Bensusan
on behalf of the Actresses' Franchise League
and the Women Writers' Suffrage League |
| Performance of text | Mary Pix | |
| Performance of text | Mary Pix | |
| Performance of text | George Bernard Shaw | GBS
's best-known play, Pygmalion, opened at His Majesty's Theatre
, Haymarket, London, with Mrs Patrick Campbell
as Eliza Doolittle (a part written for her) to Sir Herbert Tree
's Henry Higgins. This... |
| Performance of text | Susanna Centlivre | |
| Performance of text | Ethel Smyth | ES
's opera The Wreckers had its first full performance in English under conductor Thomas Beecham
at His Majesty's Theatre
, London. Sadie, Julie Anne, and Rhian Samuel, editors. The New Grove Dictionary of Women Composers. Macmillan. 430, 431 Palmer, Alan, and Veronica Palmer. The Chronology of British History. Century. 342 |
| Performance of text | Susanna Centlivre |
Timeline
15 June 1703: Playwright and architect John Vanbrugh bought...
Building item
15 June 1703
Playwright and architect John Vanbrugh
bought land for a new theatre in the Haymarket, London. The theatre eventually opened as the Queen's Theatre
during the 1704-5 season.
9 April 1705: Vanbrugh's new Haymarket Theatre (at this...
Building item
9 April 1705
Vanbrugh
's new Haymarket Theatre
(at this date also known as both the Queen's Theatre
and as the Opera House) opened with an anonymous Italian opera.
: John Vanbrugh signed an agreement with Owen...
Building item
Autumn1706
John Vanbrugh
signed an agreement with Owen Swiny
, appointing Swiny to manage the Queen's Theatre, Haymarket
.
8 March 1707: The last of George Farquhar's six comedies,...
Writing climate item
8 March 1707
13 January 1708: The two licensed London theatre companies...
Building item
13 January 1708
The two licensed London theatre companies struck an agreement which would put an end to some aspects of recent cut-throat competition.
23 November 1709: Aaron Hill started as manager at Drury Lane...
Building item
23 November 1709
Aaron Hill
started as manager at Drury Lane Theatre
and pursued a policy of rivalry with Thomas Betterton
's company at the Queen's Theatre, Haymarket
.
2 April 1720: Handel and the Royal Academy of Music opened...
Building item
2 April 1720
Handel
and the Royal Academy of Music
opened the first season of Italian opera in several years at the Haymarket
. The Royal Academy of Music continued offering opera there until 1728.
31 May 1721: The Haymarket Theatre, or Opera House, shifted...
Building item
31 May 1721
The Haymarket
Theatre, or Opera House, shifted from the general opening time of 6 p.m. to 7 p.m.
September 1726-Spring 1727: Madam Violante ran her first season of pantomime,...
Building item
September 1726-Spring 1727
Madam Violante ran her first season of pantomime, dancing, and acrobatics at the Haymarket Theatre
.
20 July 1815: Madame Vestris made her operatic debut as...
Building item
20 July 1815
Madame Vestris
made her operatic debut as the leading lady of the King's Theatre
, aged only eighteen.
1845: Prosper Mérimée's story Carmen appeared in...
Writing climate item
1845
4 May 1847: Jenny Lind, the Swedish Nightingale, gave...
Building item
4 May 1847
1848: Alexandre Dumas the younger published La...
Writing climate item
1848
Alexandre Dumas the younger
published La Dame aux Camélias, a novel which he successfully dramatised in 1852.
Texts
No bibliographical results available.