Royal Academy

Connections

Connections Sort ascending Author name Excerpt
Textual Production Anne Damer
AD began exhibiting her sculpture at the annual Royal Academy show in London; she was a regular contributor to this event until 1818.
Bakewell, Susan. “A Muse on the Move: The Hon. Anne Seymour Damer, from England to Italy (via France, Germany, Spain, and Portugal), 1762-1799”. American Society for Eighteenth-Century Studies (ASECS) Conference, Providence, RI.
Textual Production Anna Mary Howitt
AMH exhibited for the only time at the Royal Academy , with a picture entitled The Castaway, which depicts a fallen woman or prostitute.
McMaster, Juliet. That Mighty Art of Black-and-White. Linley Sambourne, <span data-tei-ns-tag="tei_title" data-tei-title-lvl="j">Punch</span>, and the Royal Academy. Ad Hoc Press.
3
Graves, Algernon. The Royal Academy of Art. Henry Graves and George Bell.
Textual Features Ella Hepworth Dixon
EHD 's heroine, Mary Erle, struggles to negotiate contemporary notions of femininity, marriage, and motherhood with her own desire to live independently and to pursue her own profession. After her father's death, she faces the...
Textual Features Catharine Amy Dawson Scott
The Headland was strongly influenced by the writing of Dorothy Richardson , whom Dawson Scott had met in Cornwall during the first world war. Its story takes three chapters for three cataclysmic days. The protagonist...
Residence Elizabeth Strutt
Between 1819 and 1831, ES 's second husband exhibited at the Academy from four different addresses around London: the first, where they stayed longest (for seven years) was 34 Percy Street. He exhibited from...
Reception Joanna Baillie
Charles Landseer (brother of Sir Edwin Landseer ) exhibited at the Royal Academy a painting from JB 's De Monfort; he had already painted Samuel Richardson 's Clarissa.
Baillie, Joanna. The Collected Letters of Joanna Baillie. Editor Slagle, Judith Bailey, Fairleigh Dickinson University Press.
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Occupation Rosemary Sutcliff
She began to work as a miniature painter, following advice from her parents and the headmaster of Bideford Art School (who allowed her to use an empty room there as her studio) that she would...
Occupation Pat Arrowsmith
The young PA was serious about her drawing and painting. She showed considerable talent and her diary records a high investment of time in these pursuits. She sold a pencil copy of a landscape (in...
Occupation Emilie Barrington
EB , who was artistically gifted, entered work for the Royal Academy Exhibition in 1871, while pregnant with her second child, but was not accepted. She claimed to have taken art lessons from Ruskin ...
Occupation Frances Reynolds
She was also already a painter on her own account. She had done a portrait of Joshua around 1746 (now in the Cottonian Collection in the city museum and art gallery of Plymouth)
Reynolds, Sir Joshua. The Letters of Sir Joshua Reynolds. Editors Ingamells, John and John Edgcumbe, Yale University Press.
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Occupation Mary Matilda Betham
MMB wrote later that many people thought her a singular, and perhaps imprudent person, because I rhymed, and ventured into the world as an artist; but I belonged to a large family, and dreaded dependence...
Occupation Kate Greenaway
By 1873, KG began receiving offers to illustrate popular books and magazines; she left school to pursue a career as an illustrator, while hoping to become a published author. Her pictures for greetings cards for...
Occupation Anna Mary Howitt
AMH was already writing and drawing as a professional when Henry Chorley , editor of the Ladies' Companion, commissioned her to go to Oberammergau and report on the passion play. On her return to...
Occupation Anne Carson
In 2012 AC took the chorus part in a staged reading of her own Antigonick (adapted from Sophocles ), 2012. A few years later she took the title role with great fierceness in Tacita Dean...
Occupation Emily Frederick Clark
EFC painted miniatures, which she exhibited at the Royal Academy in 1799. She told the RLF in 1811 that in addition to publishing from an early age she taught drawing.
Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/.
Archives of the Royal Literary Fund, 1790-1918.

Timeline

March 1755: A committee of twenty-six artists produced...

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March 1755

A committee of twenty-six artists produced a plan for an Academy to improve and promote the arts.

December 1768: George III signed the papers for establishing...

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December 1768

George III signed the papers for establishing the Royal Academy of Arts . Angelica Kauffman or Kauffmann was among the twenty-eight founding members who first met in January 1769 to hear an address by Sir Joshua Reynolds

1770 or 1771: Scottish painter George Romney did a portrait...

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1770 or 1771

Scottish painter George Romney did a portrait of English painter Mary Moser which shows her using the medium of oils, mark of the professional rather than the amateur.

1777: Richard Samuel engraved his Nine Living Muses...

Women writers item

1777

Richard Samuel engraved his Nine Living Muses of Great Britain (or Portraits in the Character of the Muses in the Temple of Apollo) for Johnson's Ladies New and Polite Pocket Memorandum for 1778...

Summer 1780: The Royal Academy's first annual exhibition...

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Summer 1780

The Royal Academy 's first annual exhibition to be held in the new Somerset House (built by Sir William Chambers ) topped all records, with attendance of 61,381 and receipts of £3,074.6s.

April 1781: Giuseppi Baretti sought to make the Royal...

Writing climate item

April 1781

Giuseppi Baretti sought to make the Royal Academy exhibitions more accessible by publishing A Guide through the Academy.

1797: The complete set of addresses delivered over...

Writing climate item

1797

The complete set of addresses delivered over the years to students at the Royal Academy by Sir Joshua Reynolds was published as Fifteen Discourses on Art.

Early May 1831 and 1832: Sarah Biffin exhibited at the Royal Academy...

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Early May 1831 and 1832

Sarah Biffin exhibited at the Royal Academy under her married name of Mrs E. M. Wright. Born without arms or legs, she became a skilled painter and embroiderer, holding her brush or needle in her...

April 1838: The National Gallery moved into its new facility...

National or international item

April 1838

The National Gallery moved into its new facility at Charing Cross.

25 November 1841: Sculptor Sir Francis Chantrey died, leaving...

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25 November 1841

Sculptor Sir Francis Chantrey died, leaving conditions in his will that after the death of his wife, more than £100,000 would be left to set up a national public collection of fine art in Britain.

1 May 1843: Richard Redgrave exhibited his painting The...

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1 May 1843

Richard Redgrave exhibited his painting The Poor Teacher at the Royal Academy .

7 May 1848: The Royal Academy exhibition presented 1474...

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7 May 1848

The Royal Academy exhibition presented 1474 works by 853 exhibitors; of these, only 126 works were by 77 female artists, a scant 10% of the total.

: The Pre-Raphaelite Brotherhood was founded...

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Autumn1848

The Pre-Raphaelite Brotherhood was founded in rebellion against the constraints and techniques of art as practised by the Royal Academy .

: Dante Gabriel Rossetti's painting The Girlhood...

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Spring1849

Dante Gabriel Rossetti 's painting The Girlhood of Mary Virgin (featuring Christina Rossetti as its model) appearing at the Free Exhibition at Hyde Park Gallery , was the first to display the initials of the Pre-Raphaelite Brotherhood .

7 May 1849: The Royal Academy exhibition (held on the...

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7 May 1849

The Royal Academy exhibition (held on the first Monday in May) featured the first Pre-Raphaelite works by William Holman Hunt and John Everett Millais .

Texts

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