Royal Court Theatre

During the war LCA received the last of three successive offers of significant acting roles, despite her total lack of dramatic training. Towards Christmas 1909 she had taken part in a charity production at the...

SB 's play Fin de partie (Endgame), a bleak piece about alienation set in a desolate world, was published in Paris. The next month it had its first performance (in French) at the Royal Court , London.

SB 's play Endgame was banned from performance at the Royal Court in London by the Lord Chancellor since the Deity was called a bastard. It finally opened in November this year.

SB 's Krapp's Last Tape, a play written originally in English for actor Patrick McGee or Magee , was first performed by the English Stage Company at the Royal Court in London.

SB 's play Happy Days opened for the first time in Britain at London's Royal Court . Its female protagonist, Winnie (who spends the evening largely buried in sand), was played by Brenda Bruce .

London's Royal Court had been vying with New York for the world premiere. Not I, Footfalls, and Rockaby (1981) were all associated with the actress Billie Whitelaw .

It was published after 2 July with a dedication to the Earl of Rochester (not her friend the poet, who had died six years before); AB stopped the press until she was ready with her...

She had already written a televised version of her own Pig-Heart Boy (shown by the BBC on 7 December 1999) and several episodes each for the tv series Byker Grove and Whizziwig (of which only...

CC was resident dramatist and tutor for the Young Writers' Group at the Royal Court Theatre in London. She was the first woman to hold this position.

Its London run at the Royal Court Theatre began three weeks later. A revival which opened at the National Theatre in April 2015 was timed to coincide with the British general election.

Owners, CC 's first stage play in several years, opened in London at the Royal Court Theatre Upstairs.

In this production CC continued her longtime collaboration with director Max Stafford-Clark , who had worked on several of her Joint Stock and Royal Court plays.

Objections to Sex and Violence, a play by CC , opened at the Royal Court Theatre in London.

Other projects from the 1990s include Lives of the Great Poisoners (1991) and Hotel (1997), both co-written with composer Orlando Gough and choreographer Ian Spink for Second Stride theatre company; a translation of Seneca 's...

CC 's play Traps (written, this time, without the collaboration of a theatre group) was first performed at the Royal Court Theatre Upstairs in London.