Bibliography: D

A B C D E F G H I J K L M N O P Q R S T U V W Y Z
D’Agata, John. “A — With Anne Carson”. Iowa Review, Vol.
27
, pp. 1-22.
D’Amico, Diane. “Christina Rossetti and the <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘j’>English Woman’s Journal</span&gt”;. Journal of Pre-Raphaelite Studies, Vol.
3
, No. 1, pp. 20-4.
D’Amico, Diane. Christina Rossetti: Faith, Gender, and Time. Louisiana State University Press, 1999.
D’Anvers, Alicia. A Poem upon His Sacred Majesty. Tho. Bever, 1691.
D’Anvers, Alicia. Academia. Randal Taylor, 1691.
D’Anvers, Alicia. The Oxford-Act. Randal Taylor, 1693.
D’Arch Smith, Timothy, and Florence Farr. “Introduction”. Egyptian Magic, Aquarian Press, 1982, p. ix - xvii.
D’Arcy, Ella. “Irremediable”. The Yellow Book, No. 1.
D’Arcy, Ella. Modern Instances. The Bodley Head, 1898.
D’Arcy, Ella. Monochromes. The Bodley Head, 1895.
D’Arcy, Ella. The Bishop’s Dilemma. The Bodley Head, 1898.
D’Cruze, Shani. “Women and the Family”. Women’s History: Britain, 1850-1945, edited by June Purvis, UCL Press, 1995, pp. 51-83.
d’Hoker, Elke. “"Half-Man" or ‘Half-Doll’: George Egerton’s Response to Friedrich Nietzsche”. Women’s Writing, Vol.
18
, No. 4, pp. 524-46.
da Costa, Emilia Viotti. Crowns of Glory, Tears of Blood: the Demerara Slave Rebellion of 1823. Oxford University Press, 1994.
Dabydeen, David. Hogarth’s Blacks: Images of Blacks in Eighteenth Century English Art. University of Georgia Press, 1987.
Dabydeen, David et al. “Marina Warner Interviewed by David Dabydeen”. Kunapipi, Vol.
14
, No. 2, Dangaroo Press, pp. 115-23.
Dacier, Anne. Des Causes de la corruption du goût. Rigaud, 1714.
Dacre, Charlotte. Confessions of the Nun of St. Omer. Printed by D. N. Shury, for J. F. Hughes, 1805.
Dacre, Charlotte. Hours of Solitude. Printed by D. N. Shury, for Hughes and Ridgeway, 1805.
Dacre, Charlotte. The Libertine. T. Cadell and W. Davies, 1807.
Dacre, Charlotte. The Passions. T. Cadell and W. Davies, 1811.
Dacre, Charlotte, and Sophia King. Trifles of Helicon. Ridgeway, 1798.
Dacre, Charlotte. Zofloya; or, The Moor. Longman, Hurst, Rees, and Orme, 1806.
Dacre, Charlotte. Zofloya; or, The Moor. Editor Craciun, Adriana, Broadview, 1997.
Dahl, Svend. Dahl’s History of the Book. Editor Katz, William A., Scarecrow Press, 1995.
Dale, Mrs J. B. Indian Palmistry. Theosophical Publishing Society, 1895.
Dale, Peter. “Oxford poetry”. Oxford Today, The University Magazine, Vol.
16
, No. 2, p. 35.
Dalrymple, William. “Airbrushing Britain’s colonialism”. Guardian Weekly, p. 21.
Dalrymple, William. “The original corporate raiders”. Guardian Weekly, pp. 26-9.
Dalton, Frederick Thomas. “New Books and Reprints: Poetry”. Times Literary Supplement, No. 879, p. 570.
Dalton, Frederick Thomas. “Review of <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>The Career of Katherine Bush</span> by Elinor Glyn”. Times Literary Supplement, No. 795, p. 176.
Damer, Anne. Belmour. Joseph Johnson, 1801.
Damer, Anne. Journal of the Heart. Editor Bury, Lady Charlotte, H. Colburn, 1830.
Damer, Anne. Letters of Miss Riversdale. Joseph Johnson, 1803.
Damish, Joanne. “Writer Mary Lavin grew up in the ’yellow house’”. Walpole Times.
Dammers, Richard H. Richard Steele. Twayne, 1982.
Dancyger, Irene. A World of Women: An Illustrated History of Women’s Magazines. Gill and Macmillan, 1978.
Dane, Clemence. A Bill of Divorcement. Samuel French, 1921.
Dane, Clemence, and Richard Addinsell. Adam’s Opera. William Heinemann, 1928.
Dane, Clemence. Broome Stages. William Heinemann, 1931.
Dane, Clemence. Collected Plays. William Heinemann, 1961.
Dane, Clemence, and Richard Addinsell. Come of Age. Doubleday, Doran, 1934.
Dane, Clemence. Eighty in the Shade. Samuel French, 1959.
Dane, Clemence. Fate Cries Out: Nine Tales. Doubleday, Doran, 1935.
Dane, Clemence. First the Blade. William Heinemann, 1918.
Dane, Clemence. Granite. Samuel French, 1926.
Dane, Clemence. He Brings Great News. William Heinemann, 1944.
Dane, Clemence. Herod and Mariamne. Doubleday, Doran, 1938.
Dane, Clemence. Legend. William Heinemann, 1919.
Dane, Clemence. London Has a Garden. Michael Joseph, 1964.